![]() ![]() << all titles |
![]() |
TIPCODES VOCALS | Tipcode: |
VOCALS-001Tipcode Vocals-001 demonstrates the contents of the paragraph above: fill your mouth with air from your lungs, and let small puffs or air escape. |
|
VOCALS-002This Tipcode first shows you how the opening of a balloon can act like a valve, just like your vocal folds. Actual moving vocal folds are also shown. |
|
VOCALS-003In Tipcode Vocals-003, the entire range of the human voice is played on a piano. |
|
VOCALS-004Play this Tipcode and you will hear very obvious breaks in a female and a male voice. |
|
VOCALS-005This Tipcode clearly demonstrates the different timbres below and above the break. |
|
VOCALS-006A breathy tone can be very effective, as you can hear in this Tipcode. |
|
VOCALS-007This is Angela singing identical notes with a tight throat and an ‘open’ throat: The difference is obvious. |
|
VOCALS-008This Tipcode demonstrates the intriguing sound of overtone singing. |
|
VOCALS-009Angela demonstrates how ‘nasal’ the French words mon, jambe, feminin, timbre, and quinze can sound. |
|
VOCALS-011This is what messa di voce sounds like: Singing a single vowel, starting very softly, gradually growing louder, and back. |
|
VOCALS-012In this Tipcode, Angela demonstrates how you can bend pitches up or down. |
|
VOCALS-013A brief demonstration of a classical vibrato. |
|
VOCALS-014This Tipcode demonstrates the sound of a non-classical (male) falsetto. |
|
VOCALS-015Angela demonstrates the distinctly different timbres of the two main registers. |
|
VOCALS-016Singing E4 (332 hertz), your vocal folds open 332 times per second — no matter which vowel you sing. |
|
VOCALS-017Singing short scales to equalize the passaggio. |
|
VOCALS-018Play Tipcode VOCALS-018 to hear a brief demonstration of belting. |
|
VOCALS-019The same note — yet with a distinctly different timbre. |
|
VOCALS-020Here are some examples of classic warm-up exercises. |
|
VOCALS-021This Tipcode gives some insight in what electronic effects can do. |
|
VOCALS-022The effects of electronic pitch correction: what it sounds like, and what it should sound like! |